 | Health |
| Year: | 2010 |
| Genre: | Drama, Mystery, Thriller |
| Starring: | Natalie Portman, Mila Kunis, Vincent Cassel |
| Director: | Darren Aronofsky |
Review: I had the opportunity, Black Swan in one of the 18 theaters, it opened to see this weekend, although I do not usually do, I was forced to write a review of film.From top to bottom, this film is at the height of what means to be a true art in cinema. The various elements of the film, the mise-en-scene was so incredibly structured by director Darren Aronofsky, you need only to sit back and enjoy the fluidity of his camera's movement, or the wonderful shade the colors in the middle of a film, which have a color scheme in large part to the symbolism of black and white.The services on-site, Vincent Cassel was where dedicated grandiose as the suspicious teacher whose brightness and desire for the dancers in his show are both very important, it is often against each other. And Mila Kunis really shines in it, brought a side of her many probably did not know was possible. She is absolutely beautiful and it portrays the black opposition to Natalie Portman white, great contrast of good and evil to the point. Kunis, but because many may assume this is not meant to be there, to awaken a general conflict between good and evil, but the page Portman, who we have not seen emphasized. Page that pushes them to the brink of madness obtain.And it lies the true subject of the film, obsession and physical stress about everything. Much like The Wrestler, we have the main character a little known form of physical art. Here it is Portman's obsession with reaching the line of the ballet Swan Lake, and pursued them to madness. They give their opinion, when her teacher pushes them to be perfect, it is pushed to leave her fragile White Swan and the extensive and destructive Black Swan. As you follow her through the stages of her ear to rise finale they bring know less and less what is around them, distortion, and what is reality. When she loses grip, Aronofsky ability to represent mental deterioration through.And seems to make no mistake, this is one film Aronofsky and Portman. As I said, Aronofsky captures all well in their movement of the camera is almost as smooth and beautiful as the very dancers on the screen. His use of a position behind the head shots were a little trademark by him, as to see what shall be the sign. And his use of light is nothing less than extraordinary. But now comes the real star Natalie Portman. You blew me away, from beginning to end, so she showed her transformation for the sweet girl who has a physically and mentally, all the way through the process, the white and the black swan work rpern, if necessary, to literally try it . too much in her head, driving in the direction of the madness in the pursuit of perfection Words can not describe Portman action here to say it is Oscar worthy huge maltroigo, since the depth of her character so deep, it would almost fit two roles will . So fragile time that you are afraid for their lives, and others that you hate so much damaged. Worthy spectacle at its finest, a Portman Oscar.All in the entire film is almost perfect, one of the best dramas I have ever seen, and that, as it is sometimes frightening as an icon and intense. Only a few other things, Winona Ryder mention was in the small amount of screen time, it was spectacular, and really awful during certain scenes. And as always, if Aronofsky and Clint Mansell team, the points are both epic and scary at the same time somehow. The Wendling score of a distorted and intense version of Swan Lake to be perfectly complements the atmosphere throughout the film because of these two artists have done before. It could work almost like a silent film, this is how bright it is. If you have a chance, once this film certainly enlarged view other theaters, his frightened and sometimes difficult to see, but this combination of beauty and terror prevents you away.
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